Summary: This article provides guidance on commercial demand topics that you should consider when creating your photos.
The do’s and don'ts of Niche Photography
Saturation and Competition
Think of all the stereotypes that stock photography has produced over the years, from the smiling woman eating salad to the cliché business handshake. Now more than ever, businesses are looking for photos that authentically reflects the world we live in. Content that their customers can relate to.
Here's what makes an image look authentic and ultimately, credible:
Facial Expressions and Realism
Do the models really look like they are happy/laughing, or does it feel forced and ungenuine. This might sound simple, but pulling it off isn’t always as easy as it sounds. Regardless of the sentiment or message the model is trying to convey, the expression should look as natural as possible, same for the posture and body language.
Also, customers are often looking for 'real people' they can relate to and not only professional models that look like... professional models. It's also crucial that models are using props, tools or equipment, accurately.
Woman sitting at the table full of food happily talking to friends by garetsworkshop
A similar effect can be achieved with good artificial lighting, but as much as possible, we are looking for images that reflect life as we see it and therefore, natural looking lighting helps. Choosing the best time of day will produce better results. For example shooting early at sunrise or later at sunset will give colors a richer tone, while also producing softer shadows.
You can shoot inside on sunny days using indirect sunlight, or using reflectors to minimize the harshness of the shadows. In some cases, the shadows can even become part of the composition, as opposed to distract from the subject.
When reviewing images, we not only consider the previous aspects, but the composition also needs to be strong. Often less is more. You want to avoid cluttered and badly cropped elements. If there’s vertical lines in the composition, you need to ask yourself whether they are straight, slightly off, or do they have some distortion? Same with the horizon, is it perfectly level or is it just off by enough that it looks unintentional and distracting? All things that should be considered when taking the photo, but also during post-processing.
Room with communal table by bialasiewicz
Rarely will photographers upload photos directly from the camera without adding their personal touch to it (levels, contrast, exposure, color balance, etc) but it’s important to avoid overdoing it. We want images that feel true, so you want to avoid adding vintage filtering, yellow tints, artificial lens flares/sun effects, graphics, text, etc. Customers can always apply filters if need be, but removing them is often nearly impossible.
Painting toy ship with father by Pressmaster
Depth of Field
While some see shallow depth of field as a passing fad, it is often the hallmark of an authentic photo. Using shallow depth of field can make a photo feel three-dimensional, and mimic human vision.
It draws attention toward the point of interest and builds the feeling of location and being physically present during that captured moment in time.
One easy way to tell that a photo isn’t authentic… is if it isn’t actually a photo! We know it’s important for customers looking for actual photos to be able to easily find them, and so images that are actually static images of vector graphics or illustrations won’t be accepted (you can still submit the original vector files to the Graphics category).
Of course we understand some subjects and environments are simply difficult if not impossible to capture in real life, so we’ll be making exceptions for 3D Renders, photomanipulations, and digital composites that are highly realistic, believable, and demonstrate a clear concept and unique value.
Photo by EvgeniyaPorechenskaya
We are also looking for content representing people of all origins, backgrounds, cultures and lifestyles. When we talk about diversity, this includes:
- Sexual orientation
- Non-traditional jobs
- People with disabilities (physical/mental)
Office colleagues laughing over pizza and beers after work by FlamingoImages
Woman Working in Garage by seventyfourimages
Doing physical exercise by Pressmaster
Muslim family relaxing and playing at home by Rawpixel
Thoughtful young asian woman drinking coffee in the terrace by nenetus
Newlywed Gay Couple Dancing on Wedding Celebration by Rawpixel
We live in a world of diversity and the content produced should reflect that. So, keep it real!
The do’s and don'ts of Niche Photography
It can be difficult to decide what material to shoot and where to focus your efforts for the best chance of commercial success. The good news is that generally all of our research and analysis points to the fact that customers are looking for a very broad and diverse range of photos, so chances are someone out there is looking to license and use what you shoot.
There’s no one single genre, style, or characteristic of a photo that is king (other than the authenticity of course!), and generally, customer demand is spread relatively evenly across this wide spectrum of content.
Cream of the crop
While there’s definitely a broad need for all types of photos, there are still some areas and aspects that tend to float just above the rest.
- Corporate & Business
- Family, Lifestyle, Fashion
- Architecture, Nature & Travel
- Education, Health & Medical
Play to your strengths (and available resources)
While it can be tempting to simply go for what’s most popular, we always recommend sticking to what you’re best at and what makes your photographs unique.
Keep in mind your strengths aren’t just your skill or experience, but your physical location, connections, relationships, and available resources as well. Take advantage of subjects or settings that you might have easier access to then most other photographers. For example if your cousin is a woodworker or your best friend’s sister owns a catering company, you might want to exploit those particular subjects in greater depth.
We all know it’s not always best to put all your eggs in one basket. But also consider that there’s more than one kind of egg out there as well. If you’re able to build a broad portfolio across multiple subject areas that’s great, however there’s also lots of diversity to explore within any one specific genre. So when you’re ready to explore something new, you might try looking inward as well as outward.
For example if you’re an expert food photographer with a portfolio of all perfectly prepared and presented dishes, you might next branch out into where that food comes from and dive into agriculture and farming. Or you might work to diversify by capturing dishes and styles of cooking from different cultures all around the world. Having a diversified portfolio will usually increase your chances of success, but it’s also a good idea to make sure that diversity has real structure and purpose.
As customers' needs have grown and the needs of digital projects have become larger and more complex, we’re seeing customers looking for multiple or collections of photos that are consistent and able to work well together (e.g. across multiple web banners or an entire marketing campaign). Being able to choose from a variety of related photos from the same photoshoot is an easy way to provide customers with the consistency and flexibility they need, without much additional time or effort on your part.
However customers also want to find what they’re looking for quickly, and while browsing within a photoshoot can help, having to dig through an entire session’s worth of images does not, especially if many of the images are nearly identical or of mixed quality.
We encourage you to capture and upload a selection of photos from a photoshoot, however it is very important to curate your images before they are submitted, where each one you ultimately choose offers something unique (e.g. a different emotion, pose, props, setting, perspective, and/or time of day).
Please note: Variations of the same photo that have simply been flipped, rotated, cropped, or processed differently should not be submitted.
Quite often your photos will need to be combined with text and other elements and used as part of a larger visual design, be it an advertisement, product packaging, website header, or anything else. Photos that leave enough negative space to make room for additional text (aka “copy space”) will provide greater value and ease of use to these kinds of customers. It isn’t always necessary and won’t work for every photo, but if the subject and setting of your photo allow for it you should consider framing and composing a few shots with copy space and designers in mind.
Similarly, while it’s a good idea to crop out and remove any distractions or unwanted elements to enhance the subject of your photo, avoid over-cropping your photos from a purely artistic point of view. When in doubt, aim on the wider side to leave enough room and/or copy space to provide customers with the flexibility to adapt the photo to their various needs (e.g. unusually sized web banners or ad spaces). It’s pretty easy for a customer to further crop an image themselves, and nearly impossible to uncrop, so if possible it’s usually a good idea to make sure the subject is fully visible and in frame, and even with a bit of extra room to spare.
If an image is isolated on a white background, the opposite would be recommended as negative space can easily be added if required, and often these images are used on a white background, so the negative space becomes irrelevant.
Still thinking of that designer customer, it can be helpful to consider other ways that your photo might be edited, manipulated, processed, or combined with other visual elements. It may be tempting to overlay your own text or graphics on top to flesh out a concept, but it’s always best to upload the original photo so that customers are able to easily work them into their own designs.
If you think your photo would significantly benefit from added text or graphics, and you’ve got the design chops to pull it off yourself, consider creating a customizable graphics template or mock-up based on your photo(s) and submitting it to GraphicRiver. Rather than trying to guess and create every possible combination of text, font, color scheme, and graphics possible and uploading them as dozens of static images, you can create a single ready-to-use template with editable layers and smart objects that will provide customers with unlimited options and flexibility here.
Similarly if you’ve gone through the effort of carefully isolating your subject, why not preserve that value and pass it onto the customer? Rather than compositing and flattening it over every possible background and environment you can think of (which we will not accept, as being too similar), consider submitting it as a separate isolated object, or keeping the clipping path intact within the original JPEG file itself. Or perhaps even as a composite-ready transparent element in a well thought out and highly customizable graphics template on GraphicRiver.
Trends come and go. It’s important to avoid pushing the processing too far, as what might look very trendy at the moment might not be so trendy next year or the year after. It’s okay to use color filters to give your photos a personal touch or convey a specific style or mood, but images that are processed to look more natural tend to age better and will likely find a larger audience in the long run. With the accessibility of powerful photo editing tools available these days, customers are quite easily able and often prefer to further process the images themselves to meet their specific needs.
Please note: Multiple versions of the same photo simply with different color filters applied, should not be submitted.
Saturation and Competition
No, we’re not talking about making your photo’s colors brighter and more vivid here, but the fact that lots of subject matter is already overproduced and oversaturated in stock photography, and that when choosing what photos to shoot and submit it’s important to consider competitive factors and what other similar photos might already be available.
Generally the more common the subject, the more selective we will be in acceptance, not to mention the more challenging it will be to catch a customer’s eye and be successful. For more saturated subject matter here, you’ll want to make sure your photo is able to stand out from the crowd. You can always search the marketplace in advance to see what types of photos may be in lower supply and less saturated, as well as take note of the immediate competition and what might make your photos unique.